I keep ticket stubs. I don't know why I started to do it, but I've been doing it for quite some time now. I can't say I've kept all my ticket stubs, but the heart-shaped box I keep them in is positively overflowing with tickets. Feeling a bit nostalgic, I pulled out my ticket box the other night and started looking through its contents. It brought back so many memories.

Like seeing
Titanic in 1998. This is the first ticket stub that I kept. I didn't particularly LOVE
Titanic the way some people did but it did seem like a momentous occasion--it was THE movie to see--and I think that's why I kept the ticket around for so long. Eventually, I added many, many other tickets to the pile. The vast majority of my ticket stubs are for movies and it's fun to remember all the movies that I went and saw. I eventually started writing who I went and saw the movie with on the back of the ticket, but that's been a recent development.

If I hadn't kept all my movie stubs, I wouldn't know that I spent $53.25 to see
Moulin Rouge eight times in the theatres. I was a little obsessed with that film. But I have never seen a movie more than twice in a theatre since then. (I miss the dollar theatre.) But there are more than just movie stubs in my box.

There are stubs for plays, like when my sister, cousin Kerrie, and I saw
Les Miserables in London during our summer trip to France and England.

There are plane tickets to and from some of the exciting places I've visited. (I don't have a lot of my plane tickets because I often tend to lose them before I make it home to store them in my box. That, or they become the bookmark for whatever book I was reading at the time and then got tossed away.) But here are tickets to Taipei, Rome, Barcelona, and Seoul. Apparently, I fly through Atlanta a lot. (Mainly because I often fly Delta.)

There are tickets to buildings, historic houses, and museums. I like my matching tickets for the Empire State Building and Taipei 101. [Former] tallest buildings in the world unite!

There are tickets to document my shame, like the little *Nsync obsession I had back in my freshmen year of college. Let's not even discuss how much money I spent to see them in concert three times. (Once in San Diego, once in Salt Lake and once in Las Vegas.) The middle ticket--to see *Nsync perform at the Olympic Medals Ceremony during the Salt Lake Olympics in 2002--was actually free. That was one crazy night. Seriously. One of my best stories ever.

There are a whole slew of tickets to see some of my favorite bands. Of particular value to me is the ticket signed by Raine Maida, the lead singer of Our Lady Peace, my one-time favorite band. My best friend, Kara, and I drove up to the House of Blues on Sunset Blvd. in Los Angeles (yeah, my parents were thrilled about that adventure) the summer we graduated from high school. We managed to work our way almost to the very front by the stage and at the end of the concert, some random people gave me their extra backstage pass. I ran into the backstage room, gushed over Raine Maida and the rest of the band like the teenage fangirl that I was and got them to sign our album covers and tickets. I was beyond elated.

There are tickets to more somber occasions, like attending a session of General Conference in the Conference Center for the first (and only) time. (I did go to one conference session in the old tabernacle before the Conference Center was built too.) That building is amazing and huge inside. My friend's parents had gotten tickets from their home ward in Connecticut and the seats were really close to the pulpit.

And then there are the tickets that remind me of sad events, like this ticket to
Don Giovanni which I saw the night my dad called to tell me that my Aunt Fran had passed away. Sitting through a three hour opera after receiving that kind of news is no easy feat. But then again, I find sitting through a three hour opera under any circumstances to be a little difficult sometimes....(I've tried, but opera is just not really my thing.)

But then, there are those few special reminders of days of pure joy, like the nametags that David and I wore in order to be sealed and married in the San Diego temple.
In graduate school, I took a material culture class taught by the curator of medicine at the Smithsonian's Museum of American History. She was intensely fascinated with ephemera, those fleeting scraps of paper like tickets, pamphlets, broadsides, and posters, that were never meant to last. Most people would call them insignificant, just things to be thrown away when their purpose and timeliness have passed. But these ephemeral items have great value to the historical record--and to my personal life. Some of my tickets are crinkled or fading or falling apart and yet, I could never part with that heart-shaped box. That box contains more than just scraps of paper; it holds pocket-sized memories and the shape of my past.